Oct 30, 2012 | Nature Body Mind

Everything we do is for the purpose of altering consciousness. We form friendships so that we can feel certain emotions, like love, and avoid others, like loneliness. We eat specific foods to enjoy their fleeting presence on our tongues. We read for the pleasure of thinking another person’s thoughts. Every waking moment—and even in our dreams—we struggle to direct the flow of sensation, emotion, and cognition toward states of consciousness that we value.
Drugs are another means toward this end. Some are illegal; some are stigmatized; some are dangerous—though, perversely, these sets only partially intersect. There are drugs of extraordinary power and utility, like psilocybin (the active compound in “magic mushrooms”) and lysergic acid diethylamide (LSD), which pose no apparent risk of addiction and are physically well-tolerated, and yet one can still be sent to prison for their use—while drugs like tobacco and alcohol, which have ruined countless lives, are enjoyed ad libitum in almost every society on earth. There are other points on this continuum—3,4-methylene-dioxy-N-methylamphetamine (MDMA or “Ecstasy”) has remarkable therapeutic potential, but it is also susceptible to abuse, and it appears to be neurotoxic.[1]
One of the great responsibilities we have as a society is to educate ourselves, along with the next generation, about which substances are worth ingesting, and for what purpose, and which are not. The problem, however, is that we refer to all biologically active compounds by a single term—“drugs”—and this makes it nearly impossible to have an intelligent discussion about the psychological, medical, ethical, and legal issues surrounding their use. The poverty of our language has been only slightly eased by the introduction of terms like “psychedelics” to differentiate certain visionary compounds, which can produce extraordinary states of ecstasy and insight, from “narcotics” and other classic agents of stupefaction and abuse.
Drug abuse and addiction are real problems, of course—the remedy for which is education and medical treatment, not incarceration. In fact, the worst drugs of abuse in the United States now appear to be prescription painkillers, like oxycodone. Should these medicines be made illegal? Of course not. People need to be informed about them, and addicts need treatment. And all drugs—including alcohol, cigarettes, and aspirin—must be kept out of the hands of children.
I discuss issues of drug policy in some detail in my first book, The End of Faith (pp. 158-164), and my thinking on the subject has not changed. The “war on drugs” has been well lost, and should never have been waged. While it isn’t explicitly protected by the U.S. Constitution, I can think of no political right more fundamental than the right to peacefully steward the contents of one’s own consciousness. The fact that we pointlessly ruin the lives of nonviolent drug users by incarcerating them, at enormous expense, constitutes one of the great moral failures of our time. (And the fact that we make room for them in our prisons by paroling murderers and rapists makes one wonder whether civilization isn’t simply doomed.)
I have a daughter who will one day take drugs. Of course, I will do everything in my power to see that she chooses her drugs wisely, but a life without drugs is neither foreseeable, nor, I think, desirable. Someday, I hope she enjoys a morning cup of tea or coffee as much as I do. If my daughter drinks alcohol as an adult, as she probably will, I will encourage her to do it safely. If she chooses to smoke marijuana, I will urge moderation.[2] Tobacco should be shunned, of course, and I will do everything within the bounds of decent parenting to steer her away from it. Needless to say, if I knew my daughter would eventually develop a fondness for methamphetamine or crack cocaine, I might never sleep again. But if she does not try a psychedelic like psilocybin or LSD at least once in her adult life, I will worry that she may have missed one of the most important rites of passage a human being can experience.
This is not to say that everyone should take psychedelics. As I will make clear below, these drugs pose certain dangers. Undoubtedly, there are people who cannot afford to give the anchor of sanity even the slightest tug. It has been many years since I have taken psychedelics, in fact, and my abstinence is born of a healthy respect for the risks involved. However, there was a period in my early 20’s when I found drugs like psilocybin and LSD to be indispensable tools of insight, and some of the most important hours of my life were spent under their influence. I think it quite possible that I might never have discovered that there was an inner landscape of mind worth exploring without having first pressed this pharmacological advantage.
While human beings have ingested plant-based psychedelics for millennia, scientific research on these compounds did not begin until the 1950’s. By 1965, a thousand studies had been published, primarily on psilocybin and LSD, many of which attested to the usefulness of psychedelics in the treatment of clinical depression, obsessive compulsive disorder (OCD), alcohol addiction, and the pain and anxiety associated with terminal cancer. Within a few years, however, this entire field of research was abolished in an effort to stem the spread of these drugs among the general public. After a hiatus that lasted an entire generation, scientific research on the pharmacology and therapeutic value of psychedelics has quietly resumed.
The psychedelics include chemicals like psilocybin, LSD, DMT, and mescaline—all of which powerfully alter cognition, perception, and mood. Most seem to exert their influence through the serotonin system in the brain, primarily by binding to 5-HT2A receptors (though several have affinity for other receptors as well), leading to increased neuronal activity in prefrontal cortex (PFC). While the PFC in turn modulates subcortical dopamine production, the effect of psychedelics appears to take place largely outside dopamine pathways (which might explain why these drugs are not habit forming).
The mere existence of psychedelics would seem to establish the material basis of mental and spiritual life beyond any doubt—for the introduction of these substances into the brain is the obvious cause of any numinous apocalypse that follows. It is possible, however, if not actually plausible, to seize this datum from the other end and argue, and Aldous Huxley did in his classic essay, The Doors of Perception, that the primary function of the brain could be eliminative: its purpose could be to prevent some vast, transpersonal dimension of mind from flooding consciousness, thereby allowing apes like ourselves to make their way in the world without being dazzled at every step by visionary phenomena irrelevant to their survival. Huxley thought that if the brain were a kind of “reducing valve” for “Mind at Large,” this would explain the efficacy of psychedelics: They could simply be a material means of opening the tap.
Unfortunately, Huxley was operating under the erroneous assumption that psychedelics decrease brain activity. However, modern techniques of neuroimaging have shown that these drugs tend to increase activity in many regions of the cortex (and in subcortical structures as well) [Note 1/24/12: a recent study on psilocybin actually lends some support to Huxley’s view.—SH] . Still, the action of these drugs does not rule out dualism, or the existence of realms of mind beyond the brain—but then nothing does. This is one of the problems with views of this kind: They appear to be unfalsifiable.[3]
Of course, the brain does filter an extraordinary amount of information from consciousness. And, like many who have taken these drugs, I can attest that psychedelics certainly throw open the gates. Needless to say, positing the existence of a “Mind at Large” is more tempting in some states of consciousness than in others. And the question of which view of reality we should privilege is, at times, worth considering. But these drugs can also produce mental states that are best viewed in clinical terms as forms of psychosis. As a general matter, I believe we should be very slow to make conclusions about the nature of the cosmos based upon inner experience — no matter how profound these experiences seem.
However, there is no question that the mind is vaster and more fluid than our ordinary, waking consciousness suggests. Consequently, it is impossible to communicate the profundity (or seeming profundity) of psychedelic states to those who have never had such experiences themselves. It is, in fact, difficult to remind oneself of the power of these states once they have passed.
Many people wonder about the difference between meditation (and other contemplative practices) and psychedelics. Are these drugs a form of cheating, or are they the one, indispensable vehicle for authentic awakening? They are neither. Many people don’t realize that all psychoactive drugs modulate the existing neurochemistry of the brain—either by mimicking specific neurotransmitters or by causing the neurotransmitters themselves to be more active. There is nothing that one can experience on a drug that is not, at some level, an expression of the brain’s potential. Hence, whatever one has experienced after ingesting a drug like LSD is likely to have been experienced, by someone, somewhere, without it.
However, it cannot be denied that psychedelics are a uniquely potent means of altering consciousness. If a person learns to meditate, pray, chant, do yoga, etc., there is no guarantee that anything will happen. Depending on his aptitude, interest, etc., boredom could be the only reward for his efforts. If, however, a person ingests 100 micrograms of LSD, what will happen next will depend on a variety of factors, but there is absolutely no question that something will happen. And boredom is simply not in the cards. Within the hour, the significance of his existence will bear down upon our hero like an avalanche. As Terence McKenna[4] never tired of pointing out, this guarantee of profound effect, for better or worse, is what separates psychedelics from every other method of spiritual inquiry. It is, however, a difference that brings with it certain liabilities.
Ingesting a powerful dose of a psychedelic drug is like strapping oneself to a rocket without a guidance system. One might wind up somewhere worth going—and, depending on the compound and one’s “set and setting,” certain trajectories are more likely than others. But however methodically one prepares for the voyage, one can still be hurled into states of mind so painful and confusing as to be indistinguishable from psychosis. Hence, the terms “psychotomimetic” and “psychotogenic” that are occasionally applied to these drugs.
I have visited both extremes on the psychedelic continuum. The positive experiences were more sublime than I could have ever imagined or than I can now faithfully recall. These chemicals disclose layers of beauty that art is powerless to capture and for which the beauty of Nature herself is a mere simulacrum. It is one thing to be awestruck by the sight of a giant redwood and to be amazed at the details of its history and underlying biology. It is quite another to spend an apparent eternity in egoless communion with it. Positive psychedelic experiences often reveal how wondrously at ease in the universe a human being can be—and for most of us, normal waking consciousness does not offer so much as a glimmer of these deeper possibilities.
People generally come away from such experiences with a sense that our conventional states of consciousness obscure and truncate insights and emotions that are sacred. If the patriarchs and matriarchs of the world’s religions experienced such states of mind, many of their claims about the nature of reality can make subjective sense. The beautific vision does not tell you anything about the birth of the cosmos—but it does reveal how utterly transfigured a mind can be by a full collision with the present moment.
But as the peaks are high, the valleys are deep. My “bad trips” were, without question, the most harrowing hours I have ever suffered—and they make the notion of hell, as a metaphor if not a destination, seem perfectly apt. If nothing else, these excruciating experiences can become a source of compassion. I think it would be impossible to have any sense of what it is like to suffer from mental illness without having briefly touched its shores.
At both ends of the continuum time dilates in ways that cannot be described—apart from saying that these experiences can seem eternal. I have had sessions, both positive and negative, in which any knowledge that I had ingested a drug had been extinguished, and all memories of my past along with it. Full immersion in the present moment, to this degree, is synonymous with the feeling that one has always been, and will always be, in precisely this condition. Depending on the character of one’s experience at that point, notions of salvation and damnation do not seem hyperbolic. In my experience, Blake’s line about beholding “eternity in an hour” neither promises, nor threatens, too much.
In the beginning, my experiences with psilocybin and LSD were so positive that I could not believe a bad trip was possible. Notions of “set and setting,” admittedly vague, seemed sufficient to account for this. My mental set was exactly as it needed to be—I was a spiritually serious investigator of my own mind—and my setting was generally one of either natural beauty or secure solitude.
I cannot account for why my adventures with psychedelics were uniformly pleasant until they weren’t—but when the doors to hell finally opened, they appear to have been left permanently ajar. Thereafter, whether or not a trip was good in the aggregate, it generally entailed some harrowing detour on the path to sublimity. Have you ever traveled, beyond all mere metaphors, to the Mountain of Shame and stayed for a thousand years? I do not recommend it.

(Pokhara, Nepal)
On my first trip to Nepal, I took a rowboat out on Phewa Lake in Pokhara, which offers a stunning view of the Annapurna range. It was early morning, and I was alone. As the sun rose over the water, I ingested 400 micrograms of LSD. I was 20 years old and had taken the drug at least ten times previously. What could go wrong?
Everything, as it turns out. Well, not everything—I didn’t drown. And I have a vague memory of drifting ashore and of being surrounded by a group of Nepali soldiers. After watching me for a while, as I ogled them over the gunwale like a lunatic, they seemed on the verge of deciding what to do with me. Some polite words of Esperanto, and a few, mad oar strokes, and I was off shore and into oblivion. So I suppose that could have ended differently.
But soon there was no lake or mountains or boat—and if I had fallen into the water I am pretty sure there would have been no one to swim. For the next several hours my mind became the perfect instrument of self-torture. All that remained was a continuous shattering and terror for which I have no words.
These encounters take something out of you. Even if drugs like LSD are biologically safe, the potential for extremely unpleasant and destabilizing experiences presents its own risks. I believe I was positively affected for weeks and months by my good trips, and negatively affected by the bad ones. Given these roulette-like odds, one can only recommend these experiences with caution.
While meditation can open the mind to a similar range of conscious states, they are reached far less haphazardly. If LSD is like being strapped to rocket, learning to meditate is like gently raising a sail. Yes, it is possible, even with guidance, to wind up someplace terrifying—and there are people who probably shouldn’t spend long periods in intensive practice. But the general effect of meditation training is of settling ever more fully into one’s own skin, and suffering less, rather than more there.
As I discussed in The End of Faith, I view most psychedelic experiences as potentially misleading. Psychedelics do not guarantee wisdom. They merely guarantee more content. And visionary experiences, considered in their totality, appear to me to be ethically neutral. Therefore, it seems that psychedelic ecstasy must be steered toward our personal and collective well-being by some other principle. As Daniel Pinchbeck pointed out in his highly entertaining book, Breaking Open the Head, the fact that both the Mayans and the Aztecs used psychedelics, while being enthusiastic practitioners of human sacrifice, makes any idealistic link between plant-based shamanism and an enlightened society seem terribly naive.
As I will discuss in future essays, the form of transcendence that appears to link directly to ethical behavior and human well-being is the transcendence of egoity in the midst of ordinary waking consciousness. It is by ceasing to cling to the contents of consciousness—to our thoughts, moods, desires, etc.—that we make progress. Such a project does not, in principle, require that we experience more contents.[5] The freedom from self that is both the goal and foundation of “spiritual” life is coincident with normal perception and cognition—though, admittedly, this can be difficult to realize.
The power of psychedelics, however, is that they often reveal, in the span of a few hours, depths of awe and understanding that can otherwise elude us for a lifetime. As is often the case, William James said it about as well as words permit[6] :
One conclusion was forced upon my mind at that time, and my impression of its truth has ever since remained unshaken. It is that our normal waking consciousness, rational consciousness as we call it, is but one special type of consciousness, whilst all about it, parted from it by the filmiest of screens, there lie potential forms of consciousness entirely different. We may go through life without suspecting their existence; but apply the requisite stimulus, and at a touch they are there in all their completeness, definite types of mentality which probably somewhere have their field of application and adaptation. No account of the universe in its totality can be final which leaves these other forms of consciousness quite disregarded. How to regard them is the question,—for they are so discontinuous with ordinary consciousness. Yet they may determine attitudes though they cannot furnish formulas, and open a region though they fail to give a map. At any rate, they forbid a premature closing of our accounts with reality.
(The Varieties of Religious Experience, p. 388)
NOTES:
Recommended Reading:
Huxley, A. The Doors of Perception and Heaven and Hell
.
McKenna, T. Food of the Gods: The Search for the Original Tree of Knowledge A Radical History of Plants, Drugs, and Human Evolution
.
McKenna, T. The Archaic Revival: Speculations on Psychedelic Mushrooms, the Amazon, Virtual Reality, UFOs, Evolution, Shamanism, the Rebirth of the Goddess, and the End of History
.
McKenna, T. True Hallucinations: Being an Account of the Author’s Extraordinary Adventures in the Devil’s Paradise
.
Pinchbeck, D. Breaking Open the Head: A Psychedelic Journey into the Heart of Contemporary Shamanism
.
Stevens, J. Storming Heaven: LSD and the American Dream
.
Ratsch, C. The Encyclopedia of Psychoactive Plants: Ethnopharmacology and Its Applications
.
Ott, J. Pharmacotheon: Entheogenic Drugs, Their Plant Sources and History
.
Strassman, R. DMT: The Spirit Molecule: A Doctor’s Revolutionary Research into the Biology of Near-Death and Mystical Experiences
.
Related article: What’s the Point of Transcendence?
via SamHarris.org
Jul 19, 2012 | Metaphysics, Video
http://youtu.be/jXeVgEs4sOo
Dick’s stories typically focus on the fragile nature of what is “real” and the construction of personal identity. His stories often become surreal fantasies as the main characters slowly discover that their everyday world is actually an illusion constructed by powerful external entities (such as in Ubik[32]), vast political conspiracies, or simply from the vicissitudes of an unreliable narrator. “All of his work starts with the basic assumption that there cannot be one, single, objective reality”, writes science fiction author Charles Platt. “Everything is a matter of perception. The ground is liable to shift under your feet. A protagonist may find himself living out another person’s dream, or he may enter a drug-induced state that actually makes better sense than the real world, or he may cross into a different universe completely.”[29]
Alternate universes and simulacra were common plot devices, with fictional worlds inhabited by common, working people, rather than galactic elites. “There are no heroes in Dick’s books”, Ursula K. Le Guin wrote, “but there are heroics. One is reminded of Dickens: what counts is the honesty, constancy, kindness and patience of ordinary people.”[32] Dick made no secret that much of his thinking and work was heavily influenced by the writings of Carl Jung.[26][33] The Jungian constructs and models that most concerned Dick seem to be the archetypes of the collective unconscious, group projection/hallucination, synchronicities, and personality theory.[26] Many of Dick’s protagonists overtly analyze reality and their perceptions in Jungian terms (see Lies Inc.), while other times, the themes are so obviously in reference to Jung their usage needs no explanation.[citation needed] Dick’s self-named Exegesis also contained many notes on Jung in relation to theology and mysticism.[citation needed]
“Phil Dick’s third major theme is his fascination with war and his fear and hatred of it. One hardly sees critical mention of it, yet it is as integral to his body of work as oxygen is to water.” – Steven Owen Godersky[34]
Dick frequently focused on the question, “What is human?” In works such as Do Androids Dream of Electric Sheep? beings can appear totally human in every respect while lacking soul or compassion, while completely alien beings such as Glimmung in Galactic Pot-Healer may be more humane and complex than Dick’s human characters.
Mental illness was a constant interest of Dick’s, and themes of mental illness permeate his work. The character Jack Bohlen in the 1964 novel Martian Time-Slip is an “ex-schizophrenic”. The novel Clans of the Alphane Moon centers on an entire society made up of descendants of lunatic asylum inmates. In 1965 he wrote the essay titled Schizophrenia and the Book of Changes.[35]
Drug use (including religious, recreational, and abuse) was also a theme in many of Dick’s works, such as A Scanner Darkly and The Three Stigmata of Palmer Eldritch. Dick was a drug user for much of his life. According to a 1975 interview in Rolling Stone,[36] Dick wrote all of his books published before 1970 while on amphetamines. “A Scanner Darkly (1977) was the first complete novel I had written without speed”, said Dick in the interview. He also experimented briefly with psychedelics, but wrote The Three Stigmata of Palmer Eldritch, which Rolling Stone dubs “the classic LSD novel of all time”, before he had ever tried them. Despite his heavy amphetamine use, however, Dick later said that doctors had told him that the amphetamines never actually affected him, that his liver had processed them before they reached his brain.[36]
Summing up all these themes in Understanding Philip K. Dick, Eric Carl Link discussed eight themes or ‘ideas and motifs’[37]: Epistemology and the Nature of Reality, Know Thyself, The Android and the Human, Entropy and Pot Healing, The Theodicy Problem, Warfare and Power Politics, The Evolved Human, and ‘Technology, Media, Drugs and Madness’.[38]
Selected works
The Man in the High Castle (1962) is set in an alternate universe United States ruled by the victorious Axis powers. It is considered a defining novel of the alternate history sub-genre,[39] and is the only Dick novel to win a Hugo Award.
The Three Stigmata of Palmer Eldritch (1965) utilizes an array of science fiction concepts and features several layers of reality and unreality. It is also one of Dick’s first works to explore religious themes. The novel takes place in the 21st century, when, under UN authority, mankind has colonized the Solar System‘s every habitable planet and moon. Life is physically daunting and psychologically monotonous for most colonists, so the UN must draft people to go to the colonies. Most entertain themselves using “Perky Pat” dolls and accessories manufactured by Earth-based “P.P. Layouts”. The company also secretly creates “Can-D”, an illegal but widely available hallucinogenic drug allowing the user to “translate” into Perky Pat (if the drug user is a woman) or Pat’s boyfriend, Walt (if the drug user is a man). This recreational use of Can-D allows colonists to experience a few minutes of an idealized life on Earth by participating in a collective hallucination.
Do Androids Dream of Electric Sheep? (1968) is the story of a bounty hunter policing the local android population. It occurs on a dying, poisoned Earth de-populated of all “successful” humans; the only remaining inhabitants of the planet are people with no prospects off-world. The 1968 story is the literary source of the film Blade Runner (1982).[40] It is both a conflation and an intensification of the pivotally Dickian question, What is real, what is fake? What crucial factor defines humanity as distinctly ‘alive’, versus those merely alive only in their outward appearance?
Ubik (1969) uses extensive networks of psychics and a suspended state after death in creating a state of eroding reality. A group of psychics is sent to investigate a group of rival psychics, but several of them are apparently killed by a saboteur’s bomb. Much of the novel flicks between a number of equally plausible realities; the “real” reality, a state of half-life and psychically manipulated realities. In 2005, Time magazine listed it among the “All-TIME 100 Greatest Novels” published since 1923.[13]
Flow My Tears, the Policeman Said (1974) concerns Jason Taverner, a television star living in a dystopian near-future police state. After being attacked by an angry ex-girlfriend, Taverner awakens in a dingy Los Angeles hotel room. He still has his money in his wallet, but his identification cards are missing. This is no minor inconvenience, as security checkpoints (manned by “pols” and “nats”, the police and National Guard) are set up throughout the city to stop and arrest anyone without valid ID. Jason at first thinks that he was robbed, but soon discovers that his entire identity has been erased. There is no record of him in any official database, and even his closest associates do not recognize or remember him. For the first time in many years, Jason has no fame or reputation to rely on. He has only his innate charisma to help him as he tries to find out what happened to his past and avoid the attention of the pols. The novel was Dick’s first published novel after years of silence, during which time his critical reputation had grown, and this novel was awarded the John W. Campbell Memorial Award for Best Science Fiction Novel.[8] It is the only Philip K. Dick novel nominated for both a Hugo and for a Nebula Award.
In an essay written two years before dying, Dick described how he learned from his Episcopalian priest that an important scene in Flow My Tears, the Policeman Said – involving its other main character, Police General Felix Buckman, the policeman of the title – was very similar to a scene in the Acts of the Apostles.[30] Film director Richard Linklater discusses this novel in his film Waking Life, which begins with a scene reminiscent of another Dick novel, Time Out of Joint.
A Scanner Darkly (1977) is a bleak mixture of science fiction and police procedural novels; in its story, an undercover narcotics police detective begins to lose touch with reality after falling victim to the same permanently mind altering drug, Substance D, he was enlisted to help fight. Substance D is instantly addictive, beginning with a pleasant euphoria which is quickly replaced with increasing confusion, hallucinations and eventually total psychosis. In this novel, as with all Dick novels, there is an underlying thread of paranoia and dissociation with multiple realities perceived simultaneously. It was adapted to film by Richard Linklater.
VALIS (1980) is perhaps Dick’s most postmodern and autobiographical novel, examining his own unexplained experiences. It may also be his most academically studied work, and was adapted as an opera by Tod Machover.[41] Later works like the VALIS trilogy were heavily autobiographical, many with “two-three-seventy-four” (2-3-74) references and influences. The word VALIS is the acronym for Vast Active Living Intelligence System. Later, PKD theorized that VALIS was both a “reality generator” and a means of extraterrestrial communication. A fourth VALIS manuscript, Radio Free Albemuth, although composed in 1976, was posthumously published in 1985. This work is described by the publisher (Arbor House) as “an introduction and key to his magnificent VALIS trilogy.”
Regardless of the feeling that he was somehow experiencing a divine communication, Dick was never fully able to rationalize the events. For the rest of his life, he struggled to comprehend what was occurring, questioning his own sanity and perception of reality. He transcribed what thoughts he could into an eight-thousand-page, one-million-word journal dubbed the Exegesis. From 1974 until his death in 1982, Dick spent many nights writing in this journal. A recurring theme in Exegesis is PKD’s hypothesis that history had been stopped in the 1st century AD., and that “the Empire never ended”. He saw Rome as the pinnacle of materialism and despotism, which, after forcing the Gnostics underground, had kept the population of Earth enslaved to worldly possessions. Dick believed that VALIS had communicated with him, and anonymous others, to induce the impeachment of U.S. President Richard Nixon, whom Dick believed to be the current Emperor of Rome incarnate.
In a 1968 essay titled “Self Portrait”, collected in the 1995 book The Shifting Realities of Philip K. Dick, Dick reflects on his work and lists which books he feels “might escape World War Three”: Eye in the Sky, The Man in the High Castle, Martian Time-Slip, Dr. Bloodmoney, or How We Got Along After the Bomb, The Zap Gun, The Penultimate Truth, The Simulacra, The Three Stigmata of Palmer Eldritch (which he refers to as “the most vital of them all”), Do Androids Dream of Electric Sheep?, and Ubik.[42] In a 1976 interview, Dick cited A Scanner Darkly as his best work, feeling that he “had finally written a true masterpiece, after 25 years of writing”.[43]
Adaptations
Films
A number of Dick’s stories have been made into films. Dick himself wrote a screenplay for an intended film adaptation of Ubik in 1974, but the film was never made. Many film adaptations have not used Dick’s original titles. When asked why this was, Dick’s ex-wife Tessa said, “Actually, the books rarely carry Phil’s original titles, as the editors usually wrote new titles after reading his manuscripts. Phil often commented that he couldn’t write good titles. If he could, he would have been an advertising writer instead of a novelist.”[44] Films based on Dick’s writing have accumulated a total revenue of over US $1 billion as of 2009.[45]
- Blade Runner (1982), based on Dick’s 1968 novel Do Androids Dream of Electric Sheep?, directed by Ridley Scott and starring Harrison Ford. A screenplay had been in the works for years before Scott took the helm, with Dick being extremely critical of all versions. Dick was still apprehensive about how his story would be adapted for the film when the project was finally put into motion. Among other things, he refused to do a novelization of the film. But contrary to his initial reactions, when he was given an opportunity to see some of the special effects sequences of Los Angeles 2019, Dick was amazed that the environment was “exactly as how I’d imagined it!”, though Ridley Scott has mentioned he had never even read the source material.[46] Following the screening, Dick and Scott had a frank but cordial discussion of Blade Runner’s themes and characters, and although they had wildly differing views, Dick fully backed the film from then on, stating that his “life and creative work are justified and completed by Blade Runner.”[47] Dick died from a stroke less than four months before the release of the film.
- Total Recall (1990), based on the short story “We Can Remember It for You Wholesale“, directed by Paul Verhoeven and starring Arnold Schwarzenegger. The film includes such Dickian elements as the confusion of fantasy and reality, the progression towards more fantastic elements as the story progresses, machines talking back to humans, and the protagonist’s doubts about his own identity.
- Confessions d’un Barjo (1992), titled Barjo in its English-language release, a French film based on Dick’s non-science-fiction novel Confessions of a Crap Artist. Reflecting Dick’s popularity and critical respect in France, Barjo faithfully conveys a strong sense of Dick’s aesthetic sensibility, unseen in the better-known film adaptations. A brief science fiction homage is slipped into the film in the form of a TV show.
- Screamers (1995), based on Dick’s short story “Second Variety“, directed by Christian Duguay and starring Peter Weller. The location was altered from a war-devastated Earth to a distant planet. A sequel without Weller, titled Screamers: The Hunting, was released straight to DVD in 2009.
- Minority Report (2002), based on Dick’s short story of “The Minority Report“, directed by Steven Spielberg and starring Tom Cruise. The film translates many of Dick’s themes, but changes major plot points and adds an action-adventure framework.
- Dick’s 1953 story “Impostor” has been adapted twice: first in 1962 for the British anthology television series Out of This World and then in 2002 for the movie Impostor, directed by Gary Fleder and starring Gary Sinise, Vincent D’Onofrio and Madeleine Stowe.
- Paycheck (2003), directed by John Woo and starring Ben Affleck, based on Dick’s short story of the same name.
- A Scanner Darkly (2006), directed by Richard Linklater and starring Keanu Reeves, Winona Ryder, and Robert Downey Jr., based on Dick’s novel of the same name. The film was produced using the process of rotoscoping: it was first shot in live-action and then the live footage was animated over.
- Next (2007), directed by Lee Tamahori and starring Nicolas Cage, loosely based on the short story “The Golden Man“.
- Radio Free Albemuth (2010), directed by John Alan Simon loosely based on the novel “Radio Free Albemuth“.
- The Adjustment Bureau (2011), directed by George Nolfi and starring Matt Damon, loosely based on the short story “Adjustment Team“.
- Total Recall (2012), directed by Len Wiseman and starring Colin Farrell, remake of the 1990 film and second adaptation of the short story “We Can Remember It for You Wholesale“.
Future films based on Dick’s writing include the animated adaptation King of the Elves from the Walt Disney Animation Studios, set to be released in the winter of 2012; Radio Free Albemuth, based on Dick’s novel of the same name, which has been completed and is currently awaiting distribution; and a film adaptation of Ubik which, according to Dick’s daughter, Isa Dick Hackett, is in advanced negotiation.[48] Ubik is set to be made into a film by Michel Gondry.[49]
The Halcyon Company, known for developing the Terminator franchise, acquired right of first refusal to film adaptations of the works of Philip K. Dick in 2007. In May 2009, they announced plans for an adaptation of Flow My Tears, the Policeman Said.[50] It has been reported in 2010 that Ridley Scott will produce an adaptation of The Man in the High Castle for BBC, in the form of a mini-series.[51]
Apr 25, 2012 | Nature Body Mind
THE GIST
- Psilocybin, the active ingredient in hallucinogenic mushrooms, shuts down parts of the brain that are responsible for regulating a sense of self.
- In controlled settings, the drug may be a useful therapeutic tool for treating depression, anxiety and other psychiatric problems.
- In the study, the rush of the first 10 to 30 seconds induced some fear, he added, but positive feelings then immediately swept over them.
After a psychedelic trip on magic mushrooms, people often describe the experience as mind-expanding, consciousness altering, emotionally insightful and even spiritually transcendent. Now, scientists have peered into the brains of people tripping on psilocybin — the active ingredient in mushrooms — and their results revealed a few surprises.
Instead of opening lines of communication between sensory-oriented regions of the brain, psilocybin appears to shut down activity in two key areas of the brain that regulate our sense of self and integrate our sense of awareness with our sense of the present.
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The drug also decreases activity in something called the default mode network, which is believed to be involved in maintaining a balanced sense of consciousness and ego through self-reflection, though scientists still don’t entirely understand the network or agree about what it does.
The more these brain areas were suppressed, the researchers report today in Proceedings of the National Academy of Sciences, the more intense people reported their changes in perception to be.
Besides helping explain how magic mushrooms induce hallucinogenic adventures of the mind, the results suggest that, in controlled settings, psilocybin might be a useful tool for treating depression and other psychiatric problems.
“One of the parts of the brain that is markedly switched off [with psilocybin] is the anterior cingulate cortex, which is particularly overactive in people with depression,” said David Nutt, professor of neuropsychopharmacology at Imperial College, London. Some researchers “put electrodes in that part of the brain to switch it off. It would be a lot simpler and safer to use psilocybin instead of electrodes.”
In British author Aldous Huxley’s ruminations on the effects of mescaline, a psychedelic compound that occurs naturally in the Peyote cactus, he expressed the sense that the hallucinogenic drug removed natural constraints that keep the brain focused on the inputs and tasks necessary for normal functioning. By removing those constraints, Huxley speculated, hallucinogenic drugs create an otherworldly sense of reality and a mystical state of transcendence and transformation.
From subjective descriptions like those, scientists have long assumed that hallucinogens, like mescaline and psilocybin, work in the brain by increasing blood flow and creating new kinds of connections. Research on psychedelic effects in the brain, however, has been limited and hard to get approval for.
For the new study, Nutt and colleagues recruited 15 healthy people with previous experience taking hallucinogenic substances. Over two days, the researchers monitored activity in participants’ brains as they lay in a scanner for up to an hour. On the first day, participants received an intravenous shot of a placebo solution. The next day, they got a shot of psilocybin that was dosed to peak after about four minutes and was mostly over after about 30 minutes.
No one had trouble figuring out which shot contained the real drug. Afterwards, they talked at length about their experiences.
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All of the participants described kaleidoscopic vision with images of bright and angular shapes, Nutt said. The rush of the first 10 to 30 seconds induced some fear, he added, but positive feelings then immediately swept over them. Many participants said that the benefits of the experience were profound and that they felt they had moved on from where they had been. Others said the experience was interesting, though not necessarily life-changing. None described the trip as negative.
“They mostly got the sense that they were going somewhere else, that they were being transmuted into space and being fragmented or stretched,” Nutt said. “One guy found himself kneeling at the feet of God. Some described being at one with the universe.”
In brain scans, the researchers saw a decrease in both blood flow and metabolism in several key areas after injection with the drug, including the anterior cingulate cortex, the medial prefrontal cortex and the posterior cingulate cortex. Also reduced was connectivity and communication between some of these areas.
The findings offer some potentially exciting opportunities to use psilocybin in therapeutic settings, said Roland Griffiths, a neuroscientist and pscyhopharmacologist at Johns Hopkins University in Baltimore.
His research has shown some long-lasting cognitive benefits of psilocybin, with study subjects reporting that they feel happier, calmer and more at peace more than a year after taking a carefully measured dose of the drug in an experimental setting. He is currently conducting a trial with cancer patients who are anxious or depressed.
Nutt plans next to see if the hallucinogen, combined with therapy, might be able to help calm hyperactive brain regions in people with enduring depression who are locked into obsessively negative mindsets.
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There is reason to believe it might work. In another study, also published today in The British Journal of Psychiatry, Nutt and colleagues report that guiding people to think positively about events in their past while they were under the influence of psilocybin led to a greater sense of well-being two weeks later.
While the research offers tantalizing evidence that psilocybin can be safe and helpful in clinical settings, Griffiths said, the hallucinogen still carries risks when people take it on their own. Depending on the dose and the situation, the drug can lead to panic and cause people to harm themselves or others.
“From a cultural point of view, there may be some applications that are useful and therapeutic,” Griffiths said. “But I’m not sure we’re ever going to be able to go to the drug store, pick it up and bring it home.”
SOURCE:
http://news.discovery.com/human/magic-mushrooms-depression-122301.html
By: Emily Sohn, January 23, 2012